Saturday, April 16, 2011

Performance Art Workshop, March 2011





I led a Performance Art Workshop at the Jenner House.
Amazing artists came and participated, and they performed some beautiful pieces.
This group has now become CONTINUUM. A collection of Houston performance artists connected in the desire to help and encourage each other's self discovery through performance, as well as a desire to give the gift of performative expression to others. I am currently facilitating the group. It has been amazing.


Picture credits (from top):

Waiting For the Unknown
conceived by Jonatan Lopez and Hilary Sculane
performed by Hilary Sculane
photo documentation by Rico Svaughn

REVIVAL
conceived by Jonatan Lopez
performed by Continuum
video documentation by Jonatan Lopez & Rico Svaughn
photo documentation by Rico Svaughn

Sweeping Piece
conceived by Emily Sloan
performed by Continuum
photo documentation by Matthew Marand

Friday, February 18, 2011

Performing in Leipzig, Germany

Julia Claire Wallace / Houston Blauverschiebung No3 2010 Leipzig from galerie KUB on Vimeo.




Seeing Self
A performance by Julia Claire Wallace
September 2010
Blauverschiebing No. 3
Galerie KUB
Leipzig, Germany

In this performance I had the audience walk with me in circles around the space. Then, I stepped onto the stage, and completely undressed, exposing my pregnant body. I took my digital camera and went over my entire body, looking at myself through the camera screen. Then, I went out into the crowd and examined individual members of the audience through my camera. I then returned to the stage and examined my body, this time without the camera. I ended the performance by standing in front of the crowd and making eye contact with each member of the audience.

Friday, January 21, 2011

Be Fucking Proud of Yourself


a performance created by Julia Wallace
performed by Jennifer Tyburczy
performed at Come As You Are
DiverseWorks, September 2010




photo by Hilary Sculane

In this performance the audience was given pieces of paper that asked them to write down a sexual act that they have done that they are very proud of. The papers were collected. Volunteers from the audience picked out papers randomly and read them for the crowd. In response, the audience clapped and cheered excitedly.

This performance explores the feeling of pride that often accompanies sex. It will give the audience a chance to be congratulated for a job well done, and perhaps create a kind of intimacy through the sharing of private moments. This piece also subverts any guilt or embarrassment that may come from these private moments, by making them anonymous, and giving the audience a chance to be proud of something, and get attention for something, that they may be uncomfortable announcing any other way.


Very Special Thanks to Jennifer for performing this piece for me!

Monday, April 5, 2010

Thursday, April 1, 2010

You can't live without one more touch.





In this piece, Julia Claire Wallace repeatedly slaps her ass as Carrie Underwood's country hit Cowboy Cassanova plays loudly.

photo by Craig Hart Christie Jr.

I want Jessie's Girl.




In this piece, Julia Claire Wallace pees into a glass vase. Then as the pop song, Jessie's Girl plays, she attempts to throw pennies into the vase of urine after screaming her own personal desires.

photo by Craig Hart Christie Jr.

Monday, March 29, 2010

How can you love me like this?



Julia Claire Wallace is dressed in white. She masturbates while covered in sugar, she yells, "How can you love me like this?" She fills her mouth with sugar. She orgasms.

What is your name and favorite color?



Julia Claire Wallace shares her name and favorite color, then asks the audience to tell their name and favorite color while an intimate video of herself plays on the big screen behind her.

Saturday, January 16, 2010

Performance Art Houston


I have started a blog to encourage the Performance Art in Houston, even though i am not sure there is very much of it. Maybe this is an attempt to find it.

PERFORMANCE ART HOUSTON

I have also been putting on a monthly performance art night at Notsuoh, a local bar run by Jim Pirtle, a true Houston Performance Artist. Most of the performers would have never called themselves performance artists before participating in the event, but i am thrilled to create an opportunity for them discover the option.

Here is a post from Performance Art Houston that documents one of the nights.


It has been really exciting and fulfilling for me.

It has also given me the chance to perform almost once a month, this has been really interesting... my pieces have created a kind of narrative of my growth. I read a love letter to myself while slowly undressing, revealing my body to the crowd, I threw a tantrum, I spanked myself to Carrie Underwood's Cowboy Cassanova, and I masturbated while covered in sugar. Each piece needs a detailed explanation, and hopefully i will be able to create an exhibition or show that will bring it all together eventually. Jim Pirtle wrote about my pieces and about performance art night on his blog here, which was a really interesting read for me.




Visit Performance Art Houston for info on future events.

Sunday, August 30, 2009

Dear Julia, I LOVE YOU. Love, Julia: Performed at PERFORMANCE ART NIGHT at Notsuoh, August 29th


Julia Claire Wallace read this letter on stage,
while slowly undressing.
She ended the piece naked.


Dear Julia,

I love you.

I love you.

I love who you are.

I love your hair, how you never know quite what to do with it, how you come up with bizarre ways to hide it, or you go through strangely beautiful fazes of different , not quite stylish attempts to make sense of it.

I love how you don’t keep up with its color, the tips are some unnatural red and the roots are the color of a mouse.

I love how you care about things, but you don’t care about things at the same time. I love that uncomfortable contradiction.

I love your eyes, a Gray Blue. Gray seems to be the color that fits you, the color of ashes, the color of your grandmother’s hair. Your eyes, your skin, your colors, remind me of the ocean, my favorite place, the salty heavy air, the dirty natural rawness of nature, with the water, a refreshing savior from itself.

I love the way you cling to existence, even when you are sick with emotion, with grief, with sadness, with desire, with loss. You can still see, you have always kept feeling even when you were hurting. You are so thankful.

I love the way you love people, I love the way you care so much. I love the way you give and love and understand. I love the way you look at people, who other people turn away from. I love the way you are scared of people, the way you shake and can barely breathe sometimes from anticipation and worry, I love the way you take deep breaths and try anyway. I love the way you shake and cry through the things you are scared of.

I love the way that you get so sick over fucking up, you care, you try to make it right, it becomes an obsession, sometimes the obsession makes you fuck up even more, but I have faith in you, you always seem to figure out eventually, you listen to yourself, you seek out the answers, you try. I love that.

I love your clothes, like your hair, you try so hard but you don’t give a shit at the same time. I don’t even understand it. I want to. I want to understand you so I can love you more. You pick so carefully and so oddly. Who is it for, Julia? I love the way you care so much, and don’t care at all, I love your confusion, your earnest confusion.

I love your body,

I love your clavicles, when I draw you I never leave them out. I love feeling your bones and organs through the thick blanket of your skin, what a miracle, you are, living breathing thinking seeing, everything. I can hardly believe that you exist. I am so grateful for that existence.

I love your wide hips, so female. I love your thick legs, so substantial.
I love your pubic hair! Never shave! I love running my fingers through it, I love its color and its stiffness. I love the smell of your pussy, it smells like sex, like bodies and togetherness and freedom.

I love your stomach, I love holding it, I love how you stick it out and look in the mirror and think, I look so pregnant and you smile! I love how you hold it in constantly, I love how you love it and worry about it at the same time.

And your ass, I love your ass, so big, and wide and womanly. So sexual.

I love your cellulite, when I see your cellulite I think of real sex, not television sex, not porn, not models in bikinis in magazines. I think of real true fucking. I think of glances you are lucky to get, secrets and vulnerability and the heart of things, I love your cellulite. I love that it makes you embarrassed, that it makes you worried. I love how it makes you nervous to ever wear a bathing suit, I love how it breaks your heart in dressing room mirrors, but it doesn’t need to, I love it. Its so beautiful.

You’re so beautiful.

I love you, Julia

Saturday, May 2, 2009

The death of a friendship - performed by Julia Claire Wallace April 2009

My friendship died, so i made a grave for it.

I mourned there, and I thought about how sometimes when things die, you want to die with them.

Then I got up, and i made a plaque in loving memory.

I put it where the friendship died and thought about life after death.


(plaque reads: In loving memory of the friendship of Julia and Nancy. May the memories of your creativity and love overcome those of your painful passing.)

Friday, April 10, 2009

I Will Give You This Painting That I Spent Alot Of Time On And Put Alot Of Effort Into If You Will Slap Me In The Face

a performance by Julia Claire Wallace, March 2009
at Too Much Cake,
a show curated by Buffalo Sean at Colab for SXSW




Julia Claire Wallace chose a volunteer from the audience, an artist named Daniel Adame, whom she had never met before.
He placed his hand against her face, pulled it away and then brought it back hard.
She handed him the painting.
A strange feeling of intimacy was created by the exchange.

Thursday, February 19, 2009

Letter to Randy Newman and Untitled Letter Performance by Julia Claire Wallace: Performed Spring 2009

Julia Claire Wallace painted a portrait of Randy Newman while composing a letter to him. Through writing the letter she became aware that what she was writing to Randy Newman, would not concern the performer, but would more likely concern her father. 



Inspired by the letter to Randy Newman, she decided to send multiple personal letters and journal entries concerning relationship issues to a variety of people and places, but not to whom the relationship issues concerned. 
 















Dear Randy Newman,

I am painting you. I am an artist, a student artist. A twenty four year old female art student painting you. I am painting you and writing you this letter because I decided to make a portrait of my family members, starting with my father, and for some reason my intuition made it perfectly clear that the first step was to be painting you and writing you this letter.
My father introduced me to your music, I remember him explaining the song ‘Sail Away’ to me as a child. “Do you know what this is about?” he asked. He explained it to me, I was struck hard in the gut. I listened intently and often. I went on to explore your other music; I was surprised one day, when he called me to his computer to play ‘Rednecks’. “You have to hear this song!” he said with this big smirk on his face. I had heard it many times, I was surprised he had never heard it; I had become better acquainted with you than he had. I guess it’s surprising sometimes when you discover you know more than your father on certain subjects.
I started listening to you again obsessively over the last couple of months. I haven’t found anyone except my father who likes you as much as I do.
I want to talk about what you mean to me, what your song writing style has done for my own artwork. But then I feel like I am losing track of my father here.
You remind me of my father. Your hair is the same, I guess that’s why I am painting the Sail Away cover, all of that curly hair, so confusing, so complicated, and I know I won’t paint it anything like what it really is. I am using wax, just piling it on. The task is daunting, I want to do it, but I am dreading it, I am worried at the same time.
I have to tell you, if I were going to choose a famous older man to date, it would be you.
When I watch your interviews, I think:
This is a man I would want to know intimately.
I want to talk late at night with him, side by side in bed
I want this man to love me, to listen to me, I want his undying attention, and I want his attention, his feedback.
This is a man I could believe in, this is a man I could truly love.
I think of my mother, being so scared and upset by the idea of younger women stealing the men of her generation. I think of the strange, disturbing sex dreams I keep having about my father. Do I think that sex is the only way to get a man’s attention and feedback? Perhaps that’s what this is about. And of course, you are a stranger and a singer in a far away city. You have a wife; you have a life full of the things you found important enough to be in it.
Of course, you will not answer this, of course you will never fall in love with me, and in reality this is probably a wonderful thing.
But as I sit here, with my earphones on, listening to your words that strike me so strongly, I want something I can’t have. I want something from you, that I can have from the people who are available and attainable. They are just as beautiful as you, and they are right here.
Or maybe there is no one available and attainable right here, maybe everyone is too busy for me, maybe everyone is so wrapped up in themselves that they don’t have time for me.
So I am talking about my father here.
I am pretending you are my father.
I am pretending you are my father, because you are inaccessible
like my father.
And I am sitting here painting you, so far away, I am sending you a letter you probably won’t get. I am sitting here thinking about you, wishing about you, wanting something I can’t have?
And I guess I can’t have what I want.
I can’t.
So what do I do?
I send you this letter just in case,
I send you this painting just in case.
And maybe it won’t get there
That’s okay
But maybe it’s just a nice thing to exist.
Maybe I’ll share it with someone else, and it will mean something to him or her, maybe it will make me feel better.
Or maybe I am procrastinating, or avoiding.
Maybe the truth is I should be writing this to my father, he isn’t as inaccessible as I pretend. Maybe this letter should be addressed to him, but he would answer, he would answer, and that scares the shit out of me.
It’s so much easier to write to you, Randy Newman.
When you know a letter won’t be answered,
It’s a lot less scary to send it. You’re done. Its over.
But when you write a letter that is answered,
You are expected to write back
You are obligated
You are responsible
You’ve broken that comfortable silence
And put yourself in dangerous dialogue.
And I don’t even really know what I need to say! I don’t know what I want to hear?

All I know is that I want to send you a letter, Randy Newman.
To say that I love the things you do, they resonate in me.
I sing your songs all the time. You are an important part of me.
I have so much to thank you for. You inspire me. Your honesty makes me search harder for truth.
I would love to have long conversations with you
I feel like you could teach me even more than you have taught me from this distance.

Thank you
Thank you
Thank you,

Julia Claire Wallace

Wednesday, January 14, 2009

A Painting for Tom Marioni conceptualized by Julia Claire Wallace and Patrick O'Brien Doyle in the Fall of 2008



This is a painting for Tom Marioni
conceptualized by
Julia Claire Wallace and Patrick O'Brien Doyle.

This video is a response to Tom Marioni's FreeHand Circle video and the radio interview he gave on Cincinnati's WVXU on 9/10/06. In FreeHand Circle he creates a circle on a gallery wall with graphite. Both the video and the interview can be found on Tom Marioni's website.

www.tommarioni.com.

Friday, November 14, 2008

Video by Julia Claire Wallace, Fall 2008



Julia Claire Wallace used Dr. Pepper for a few performances, then used part of the documentation to create a short video to be posted on the internet website YouTube.

Friday, September 26, 2008

John's First Art Show: curated by Julia Wallace and John Zambrano, September 14th 2008



To prepare for Hurricane Ike, Houston artist John Zambrano gathered his latest paintings and hammered them to the windows of his house to protect them from the harsh winds.

This display of his paintings was greatly admired by another local artist, and girlfriend Julia Claire Wallace.

Partly to avoid another hurricane inspired fight and/or break up the two artists found a chicken and some wine at one of the few open convenience stores in the city and decided to curate an event entitled John's First Art Show.

John had displayed the art, so Julia texted specifically selected performance artists to collaborate on an evening of life art.

Participating Artists included:

Aisen Chacin
NICKTEEL
Tyson Urich
Christian Ochoa
Smitty Regula
John Zambrano
Julia Wallace

Many pieces emerged including
a painting, painting NICKTEEL, bathing NICKTEEL, shared sexual exploits and experiences, laying and looking at the stars while holding hands, Street Dancing, Flashlight Interviews, Barbecuing a Chicken and vomiting behind the house.



Friday, August 22, 2008

More documentation of Art that should be documented.

This is a continuation of the piece that begun in 2007 entitled, Documentation of Art by Local Artists that should be Documented.

This is
The Life Art Lecture
by Patrick O'Brien Doyle
performed at the first Performance Art Lab event in 2007





This is some video documentation from The Performance Art Lab event held at The Julia entitled Julia's Parents are Out of Town, featuring performance art pieces by Sean Carrol, Keijero Suzuki, Nancy Douthey, Julia Wallace, and Tyson Urich.



This is a more detailed video of the performance piece by Julia Claire Wallace that occured that night at The Julia.






Monday, July 28, 2008

Watching. Performed by Julia Claire Wallace from the middle of last semester until the present. (summer 2008)

Julia Claire Wallace began watching a very
large
amount of
documentaries
and television
and movies

here is a compiled list including details that seemed important-

Polanski Movies-
Bitter Moon*
Knife in the water
The Fearless Vampire Killers^
Repulsion (this is one of the most disturbing movies she has ever seen)
Death and the Maiden
Rosemary's Baby
Chinatown

other movies-
Sex and Lucia
The Night of the Iguana
The Fisher King
The Puffy Chair
I'm Reed Fish^
Parts of Fool's Gold
The Bucket List
Loving Annabelle
Big Eden
Dial M for Murder
Parts of 2001
Swimming Pool
Smiley Face^
A Midsummer Night's Sex Comedy
Dead Ringers
Dangerous Liasons
Mutual Appreciation
The Doom Generation
The Spiderwick Chronicles
The Sheltering Sky
Bob&Carol&Ted&Alice
Storytelling*
Happiness*
Welcome to the Dollhouse*
Palindromes*
Black Snake Moan^
Last Tango in Paris


In theater-
Sleeper
Batman
Sex and the City
Harold and Maude*
Grease- the sing along version
Baghead
Man on Wire*

Television-
30 Rock - the first season (this consists of 21 22 minute episodes)
Dexter- the first season ( This consists of 12 one hour episodes.)

Documentaries-
Cocaine Cowboys*
Commune*
51 Birch Street (She cried. She identified with this immensely.)
Charles Manson Super Star
Rest In Pieces- A portrait of Joe Coleman *
The Weather Underground *
Following Sean
Hated - G.g. Allin & the Murder Junkies
Amargosa
Super High Me
Crazy Love
Kill Your Idols
loudQUIETloud: a film about the Pixies
Charles Bukowski: Born into this
Roman Polanski: Wanted and Desired
Missionary Positions
A biography of Tony Robbins
Fred West and his Victims
UFO Cults
The Ken and Barbie Killers
The End of the World Cult*
Crumb*
The Bridge
Transexual in Iran
Jonestown- the life and death of people's temple **
Born Rich
PBS Frontline: Sex Slaves
Sex Crimes in the Vatican
The Origins of Aids
The Century of the Self**
Capturing the Friedmans
Grey Gardens

*julia advises you to watch these.
^julia advises you to avoid these, unless there is absolutely nothing else to do.

Friday, May 30, 2008

Declaring things Collectible: by Julia Claire Wallace May 2008- the present

Julia Claire Wallace declares her work collectable:

Consider yourself very lucky if you have any of the following:

numbered and signed prints of her paintings WITHOUT white borders. These are her first numbered prints ever. The matte prints of Niki, Janelle, Meghan, and the breasts Julia declares most valuable. The shiny prints of Nancy, Shawn and Julia holding the ankle are slightly less valued because she is still selling them. They are more collectible if they are signed and numbered, because she forgot to number some of them, and they are extra collectible if they are titled 'Patrick'.

Julia's limited edition zine is also a collector's. It contained many drawn portraits and myspace profiles.

Letters from Julia Claire Wallace are extremely collectible and should be carefully preserved, even if they are photo copied letters. Julia Claire Wallace often sent an altered photocopy instead of a hand written letter. These are especially collectible if they have the original envelope.

Any actual drawing or paintings by Julia are EXTREMELY rare and collectible considering that she keeps almost all of her work in a very old house, stacked in piles.

Screenprints are very collectible as well. There are very few screen prints, lino cuts, and other various kinds of prints in circulation. (Some titles include: Niki, Chasing Skirts to Heaven, The Nineteenth Summer and Baby.)

Also collectible are the handouts of Julia Claire Wallace.

Editions include:

A badly stapled set of handouts entitled:
The Artery Performance April 3rd (24 copies)
this handout is numbered and signed. Julia Claire Wallace declares the badly stapled copies MORE collectible.

set of 25 numbered and signed copies of a review of Julia Claire Wallace's piece entilitled 'Beauty' written by Patrick O'Brien Doyle

set of 25 numbered and signed copies of 'The Shower Story' a collaborative piece by julia claire wallace and patrick o'brien doyle.

Julia Claire Wallace is happy to sign any other copies of these handouts that are floating around, but if they are numbered, they are much more collectible.

More collectible items will be added to this list as they are remembered, or created.

Friday, May 2, 2008

sexyATTACK







watch out for sexyATTACK!

this has been one of the most amazing experiences in my life.

Friday, April 11, 2008

video art by julia claire wallace (the autoeroticist)

Surpik Angelini wrote a provocative piece on performance art in Houston.


She also wrote a piece about my performance piece at the Artery that I hope to post soon. It made me wonder if I should just make art and let other people explain it.

Like this:



hint: autoeroticism.

go ahead.
explain.

Friday, February 15, 2008

The Performance Art at the University of Houston: Spring 2008

There have been some interesting occurances in the group of Performance Artists at University of Houston led by Elia Arce.

Here are a few:

Julia Claire Wallace created a half circle of chairs. She invited the members of the group to sit around her. She played the sounds of a ticking clock. She was lying on her back, she chanted the word beauty. She placed a vibrator against her herself, and continued to chant beauty as long as she could before she orgasmed. Then she resumed her chant.

Nancy Douthey Sat down on the ground with the group members. She had part of a sandwich on a plate, a glass of juice, and a bag of cheese balls. She ate the sandwich silently. Then she poured some cheeseballs onto her plate and carefully arranged them in a circle. She named each of her cheeseballs after friends and family. "This is mom and dad (pointing.) These are my sisters. This is my husband Mark. This is my friend Amy, and this is Radar my dog (etc.). "
Then she began to eat them. She chose easily at first. Starting with her cousins, moving to friends, then to cats. As she continued, it became obviously harder for her to choose. She began crying with her final choices. Finally, she was left with an empty plate.

Patrick O'Brien Doyle went to the front of the room, the group members sat in their desks watching. He took off his shoes and placed them in front of himself, facing him as if there was someone standing in front of him. He took off his socks, then his shirt. Solemnly, he took off his pants, and then his shirt. Finally he took off his underwear and and stood naked in front of his empty shoes.
(Then he gathered up his clothes quickly, held his clothes over his privates and ran out the classroom door)

Mark Hesterlee wore sunglasses and carefully chosen clothing. He stood emotionless and still in front of the classroom as a video was projected over him. The video was fast paced and filled with brand names and neon colors. The performance lasted about four minutes.

Tuesday, January 15, 2008

Julia's Parents Are Out of Town: October 18th 2007


In the fall of 2007 Elia Arce was teaching her second Performance Art Class at the University of Houston. Her students included Houston artists Julia Claire Wallace, Nancy Douthey, Tyson Urich, Brian D. McCord, Keijiro Suzuki, and Sean Carrol. Elia Arce decided that the class should do a night of individual performances. After perusing many different spaces the class decided to do their performance at the home of Julia Claire Wallace. She was currently living alone in her family's house. The house that she grew up in, It was jam packed with the ecclectic remains of twenty three years of Wallace family living. They named the artspace "The Julia". The class had photos taken in the house by local artist, Shane M. Maeberry, and used them to create their flyer.


When guests arrived they were greeted with the smell of Nancy Douthey's baking cookies as well as a cordial Elia Arce dressed as Julia Claire Wallace in a blonde wig, a drawn on piercing, and clothes that she picked from Julia's closet. Programs were available that included a map of the house as well as each of the participating artist's definitions of performance art.


In the kitchen, a soundscape was created by local D.J Justin L. Harmon and video documentation of the semester's projects played throughout the show. There was also an installation in the attic consisting of recorded sound performances from the class.


For two hours Brian D. McCord pedaled a stationary bike on the front porch connected to the porch light. He was wearing a powder blue suit. He placed signs around the area that advertised his business entitled 'On-site Lighting.' The signs informed the visitors of his cell phone number, and they were invited to call him as he pedaled.


Nancy Douthey cleaned the room of Julia Claire Wallace. It was quite "messy" when she entered, and quite neat when she left. The visitors were welcome to converse with Nancy as she cleaned.


Keijiro Suzuki created a small, taped off space in the dining room. He entitled his piece "Reconstruction of Home." In his small space he performed the daily activities of his life in Japan. He watched Japanese television and cooked rice. He also performed religious tasks that included recitation and burning parchment in a small bowl. He acted as if his audience was not there, ignoring them when they spoke to him.


Sean Carrol's piece was entitled '3 games.' He gathered a group in the living room and had them roll dice in competittion with eachother. When narrowed down to three participants, he gave them each a large plastic jar filled with juice and canned pears. He dropped a small safety pin in each jar, and the first two that fished out their safety pins went onto the last round. He asked these two final contestants which one had sex last, and the most recently screwed contestant was the winner. Sean conducted two of these games in the living room during the show. The first winner recieved a bottle of wine and the second winner recieved a coloring book.


Julia Claire Wallace conducted two games of spin the bottle in her parent's bedroom. She took reservations for the game before hand. She only allowed participants in the room (no spectators).

The rules of the game were:
1. a peck on the lips
2. a three second kiss
3. thirty seconds in the closet
4. kiss with toungue
5. shake hands


Tyson Urich was in the backyard. He had a pottery wheel on which he created things out of clay that he destroyed by throwing them against the side of the garage. He also allowed the visitors to create and destroy their own clay creations.



Some Local Artists who participated in/attended the event included: Aisen Chacin, Sebastian Forray, Patrick O'Brien Doyle, Loris Bradley, Shane M. Maberry, Robyn Locklin, Iskra Ivanova, Michael Brimms, Osker Sonnen


note:
Julia Claire Wallace recorded her thoughts on the event in her blog, here.
Robyn Locklin also recorded her thoughts on the event in her blog, here and here.